The last post of 2014 and Draws Shoots and Leaves has been up and running (with two biggish breaks) for a year.
I have been trying to establish a daily drawing practice for a couple of weeks now in the run up to the New Year. My thinking being, that if I can do a drawing a day while being away and during the Christmas period, I should be able to carry it on EVERY day – well ha! ha! and good luck with that – I tell myself.
Below are the drawings from my very first week and what I have discovered:
1) it is sooooooo hard to find the time to get started
2) once I get started it is sooooooo hard to stop
As this blog enters its second year I am dropping the Wednesday Word (of a Botanical Nature) and replacing it with a slide show of my daily drawings of the previous week in the sincere hope that there will be the full seven every week!
Still working with Wendy Hollender’s book ‘Botanical Drawing in Color’ I copied two of her drawings to try out her limited colours. I tried a tulip, which I just drew out really quickly with graphite pencil and then coloured in following her step by step instructions.
Then I followed the instructions for a bunch of crabapples.
What I really noticed, was that she uses a much freer and more ‘sketchy’ way of applying the pencil to the paper, and looking closely at her images I can see individual pencil lines. This method is much quicker than trying to eliminate all traces of the makers mark which is how I have been doing things previously.
I then went on to experiment with an original drawing of my own of a Pomegranate.
Now this was really fun to do, I loved building up the layers of colour, I loved the ‘scribbly’ speed of working and the texture left behind by working quickly and more intuitively. I also like the depth and variety of colour.
So now, how to progress? Hmmmmm………I guess it will resolve itself as I start into the second year of my blog and my more focussed attention on drawing. I have more or less decided that I will commit myself to doing a drawing a day for 2015….and have reviewed Frederick Franck’s guidelines ‘The Awakened Eye’ from my post way back in June.
Now that the new pencils are sorted and organised I have been able to follow up some suggestions that interested me in the book ‘Botanical Drawing in Color’ by Wendy Hollender. She suggests a very limited palette of colours (just 20) from which you should be able to draw most plants.
Given that I am now the owner of over a 100 coloured pencils I was interested to try out her methods. Her starting point is the primary colours red, blue and yellow and she chooses a warm red and a cool red, ditto with the blue and the yellow – so six primary colours. She then adds the secondary colours purple, orange and green (two greens). Then dark colours – sepia, indigo, red violet and another green, then four earth tones. Lastly white and cream for tints, highlights and burnishing.
She comments ‘ With the exception of the three greens, I have chosen colors that will give me the brightest possible hue. This is important because you can always dull a color, but you cannot make one brighter. With the greens I have departed from this theory because really bright greens are rarely found in nature. If ever you need a really bright green, you can mix it with the appropriate yellow and blue…..’
I followed along from Wendy’s book and made myself a colour wheel with twelve hues from the six primary colours; a value bar using sepia depicting nine values from very pale to very dark; an intensity bar with five steps from bright to very dull; and colour bars blending complementary colours together to make dull/brownish tones and colours.
Lastly I followed her guidance and created colour blends using primary colours.
To make orange:
1. bright clear colour both primaries lean towards the colour being made i.e. a warm (yellowish) red and a warm (reddish) yellow = bright orange
2. mid intensity colour where only one of the primaries leans towards the colour being made (i.e warm (yellowish) red and cool (blueish) yellow = mid intensity orange or cool (blueish) red and warm (reddish) yellow = mid intensity orange
3. dull muddy colours where both of the primaries lean away from the colour being made (i.e. cool (blueish) red and cool (blueish) yellow
(greens and purples are made in the same way – just using the appropriate primaries in each case)
I must say I sat and scratched my head over all this, and had to turn the radio off for a while so that I could concentrate! However I think I have it now and below are the swatches I created. I am amazed at the variety of colours and am happy that I now have a small roll of twenty pencils that I can take out with me and know that I should in theory be able to draw almost anything.
Earlier this week I posted my picture with the purple berries from last week to a Facebook group called Botanical Art for Beginners. I have been lurking around this group for some months now, not having the courage to post any of my drawings, but finally I decided to take the plunge. I received 124 likes and 24 people added supportive comments and suggestions, I was really touched and pleased; social media sometimes gets a bad press but it is wonderful to be able to connect with other artists in the same field as there are not many local to where I am (or at least I don’t know of any).